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“And in the National Edition, the comments of the composer are noted. “Of course, these pieces were meant to be concertos, but, in a sense, we can rediscover the real sound that Chopin intended by listening to these solo piano versions,” she says. According to Kawai, the original concertos were written by Chopin himself as solo piano versions. Recent research suggests that the young composer received help from some experienced elder in the orchestration, and the later editions made the orchestra sound even thicker. Looking at the original handwritten score of the Concerto in F minor, it is apparent that the handwriting for the orchestra parts is different from that for the solo piano part written by Chopin himself. These two famous concertos were composed around 1830 in Chopin’s youth, before he left his home country.
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“It was not rare that concertos were performed by a single pianist in Chopin’s day, because a full orchestra or a large concert hall was not always available,” explains Kawai. She also gave the world premiere of Chopin’s piano concertos in E minor and F minor for one piano as published in the National Edition.
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She was the first Asian artist to play on a recording of the National Edition disc series by Polish label BeArTon, releasing her first album, “Lento. Kawai played a 14-concert tour around Poland in February and March 1996, and has been active ever since, giving performances in Poland, Japan and many other countries. Even though she did not win a prize, her soulful performances impressed the jury members as well as the media, leading to an article by the renowned Polish critic Janusz Ekiert and a special feature broadcast by Polish state radio. In 1995, Kawai participated in the 13th Chopin International Piano Competition in Warsaw. And my weak fingers, which made me almost give up on being a professional, were surprisingly strengthened.”
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For example, he taught me how to sit at the piano. Professor Ekier’s excellent method retrained me from the very starting point. “Those were such happy days,” recalls Kawai. From 1991 to 1994, Kawai studied at the Fryderyk Chopin Music Academy in Warsaw under the tutorship of Ekier. This encounter paved the way to Poland for Kawai, who had stayed in her hometown until then and never thought of studying abroad. In 1990, while studying piano at Aichi Prefectural University of Fine Arts and Music, Kawai got a chance to take a lesson from Ekier when he was on a visit to Japan.
I can hardly explain in words, but I just feel it.” “Chopin has fascinated me since my childhood,” she says. The precocious little girl would play records by herself, picking through her father’s collection, and would listen to Chopin’s music over and over again. This veteran pianist and professor was the very person who spotted the talent of a young Japanese girl and changed her life.īorn in Nagoya, Yuko Kawai had her first piano lesson at the age of 5.
1913), a prize-winner at the third International Frederick Chopin Piano Competition in 1937, and the head of the juries of the competition from 1985 to 1995, has devoted himself to working for the National Edition for 50 years, since he was appointed its editor in chief at the age of 45 in 1959. The National Edition has been officially endorsed by organizers of the International Chopin Piano Competition since 2005, and is due to be completed in 2010.
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The aim of the National Edition is to present the whole of Chopin’s musical output, free from editorial additions and based on the most authentic sources, as close to the composer’s handwritten manuscripts as possible. Unfortunately, though, there are many textual differences among more than 100 editions that have been issued in the past 140 years, and it has become difficult to know which are truest to the master’s originals.